Arthur Adamov (23 August 1908 – 15 March 1970) was a playwright, one of the foremost exponents of the Theatre of the Absurd.
Early life
Adamov (originally Adamian) was born in
Kislovodsk in the
Terek Oblast of the
Russian Empire to a wealthy
Armenians family.
At the outbreak of the First World War, the family was at risk of being interned as "enemy citizens", and only "through the special intervention of the King of Wurttemberg" were they able to escape to Geneva, Switzerland.
Adamov was educated in Switzerland and Germany,
with
French language as his primary language. In 1924, when he was sixteen years old, he moved to Paris, France.
There he met artists associated with the
surrealist and edited the surrealist journal
Discontinuité.
Postwar career
He began to write plays at the end of World War II.
(1947) was his first play, which Martin Esslin has identified as "an attempt to come to terms with neurosis, to make psychological states visible in concrete terms".
His work influenced by August Strindberg,
is often
dream-like and later works in particular have a
political element influenced by
/ref> The title character of one of his best known works,
Le Professeur Taranne (1953), is accused of various things (public nudity, littering, plagiarism), all of which he strenuously denies, only to have his denials turned against him into more evidence of
misdemeanours. This particular play was directly influenced by a dream Adamov had.
Lesser known to the public is his prose work with short stories such as "Fin Août" (in Je... Ils..., 1969). Their themes revolve around topics including Sadomasochism, which the author regarded as "immunisation against death". Adamov translated a number of works by German authors (Rilke, Büchner) and Russian classics (Nikolai Gogol, Anton Chekhov) into French.
A supporter of left-wing politics throughout his life, the Algerian War radicalised his political views and in the 1960s he became a Communism.[Albee, Edward, The American Dream, Coward, 1961.]
Adamov's death in 1970 was due to an overdose of barbiturates.[Banarjee, R. B., "The Theatre of the Absurd", in Literary Criterion, Vol. 7, No. 1, 1965, pp. 59–62.]
Selected works
-
L'Aveu ( The Confession, 1946)
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La Parodie ( The Parody, 1950)
-
L'Invasion ( The Invasion, 1950)
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La Grande et la Petite Manoeuvre ( The Grand and Small Manoeuvre, 1950)
-
Le Sens de la Marche ( The Way to Go, 1953)
-
Tous contre tous ( All against all, 1953)
-
Le Professeur Taranne ( Professor Taranne, 1953)
-
Le Ping-Pong ( Ping Pong, 1955)
-
Paolo Paoli (1957)
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Le Printemps '71 ( Spring '71, 1960)
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La Politique des Restes (The Politics of Rubbish'', 1963)
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Ici et Maintenant ( Here and Now, 1964)
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Sainte Europe ( Holy Europe, 1966)
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M. le Modéré ( Mr. Moderate, 1968)
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Off Limits (1969)
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Si l'été revenait ( If Summer Came Again, 1970)
